The History Of House Music

Origins of the term
Clubbers to The Warehouse were mostly black, who came to dance to music played by the club’s resident DJ Frankie Knuckles, whom fans refer to as the “godfather of house”. In the Channel 4 documentary Pump Up The Volume, Knuckles says that the first time he heard the term “house music” was upon seeing “we play house music” on a sign in the window of a bar on Chicago’s South Side. South-Side Chicago DJ Leonard “Remix” Roy, in self-published declarations, claims he put such an indication in a tavern window because it was where he played music that one might find in one’s home; in his case, it referred to his mom’s soul & disco records, which he worked into his sets.

In comparison with disco, Home was “much deeper”, “rawer”, and more designed to make people dance. Disco had already produced the very first records to be aimed specifically at DJs with extended 12″ versions that included long percussion breaks for blending purposes.

Early Blending Techniques

Early manufacturers and club DJ innovators such as Frankie Knuckles, Larry Levan, DJ Ron Hardy, and the Hot Mix 5 played a significant role in progressing Disco into early Home Music, forever shaping the modern dance scene. Club DJs started exploring blending and beatmatching records, using editing techniques, playing narrative DJ sets, and experimenting with ingenious ways to get rid of the restrictions of the DJ devices in those times. Much of these DJs assisted combine the roles of DJ, author, producer, and remixer by producing and playing their own edits of their favorite tunes on reel-to-reel tape. Some even took the music to the next level by mixing in results or using drum machines and synthesizers which presented the constant 4/4 pace. Disco quickly became an international fad, particularly after including films such as Saturday Night Fever in 1977. Commercialization cause an explosion of club culture, and the record companies were looking to capitalize the popularity. Record labels would work with club DJs to bring their proficiency to the studio as an assisting hand to create music they understood would buzz the dancefloor, and because they currently had a direct connection to the dancing public. They often supervised studio-recording sessions also for other artists and bands. In addition, record companies started commissioning remixes in an effort to help break and promote artists through the underground channels of discotheques.

Disco Sucks Movement

In the late 70s, Disco quickly fell out of fashion nearly overnight mostly due to attacks from anti-disco DJs throughout the country. In addition, record companies had actually flooded the marketplace with Disco songs. Among the most remarkable and severe anti-disco rallies was ‘Disco Demolition Night’ at Comiskey Park, July 12, 1979. Anyone who brought a Disco album to the double-header video game between the White Sox and Detroit Tigers would be confessed for only 98 cents. Throughout the video game, radio character Steve Dahl detonated a big collection of Disco LPs in an explosion on the field. Soon after, significant record companies scaled down or removed their dance music production divisions.

Disco’s decline was high. Aletti remembers working at a record label around that time, and his whole department getting relabelled: “We became the dance music department. Disco became an unclean word.” Renaming disco didn’t kill it, of course. Donna Summer still had hits, as did Michael Jackson, Lipps, Inc. and others. However a period had actually ended. By July 1981, the new wave publication Trouser Press noticed disco had caught on amongst the English bands that would quickly control the newly-created MTV. “I hate to break the news, however disco isn’t dead yet,” composed Robert Payes in a Spandau Ballet review. “It’s simply altered owners.”

Home Music is Here to Stay
Home Music is here to stay and will continue to evolve and establish brand-new subgenres with the help of globalization, emerging technology, and cross-genre impacts. There is far more to the story, check out more of the abundant and controversial history of Home Music seeing this terrific documentary.